The cosmos and the creative imagination

Anna-Teresa Tymieniecka, Patricia Trutty-Coohill

The essays in this book respond to Anna-Teresa Tymieniecka’s recent call to explore the relationship between the evolution of the universe and the process of self-individuation in the ontopoietic unfolding of life. The essays approach the sensory manifold in a number of ways. They show that theories of modern science become a strategy for the phenomenological study of works of art, and vice versa. Works of phenomenology and of the arts examine how individual spontaneity connects with the design(s) of the logos – of the whole and of the particulars – while the design(s) rest not on some human concept, but on life itself. Life’s pliable matrices allow us to consider the expansiveness of contemporary science, and to help create a contemporary phenomenological sense of cosmos.


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3-9
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13-29
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31-39
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43-58
Bachelard and Merleau-Ponty

Dufourcq Annabelle

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59-71
Dream and semblance

Grassom Brian

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73-82
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83-92
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93-101
Paul Klee's unbound creativity

Tarozzi Goldsmith Marcella

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103-133
Ruach Hakodesh

Pierce Constance

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137-165
My living body

Hughes Daniel James

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167-177
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181-195
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197-207
Eternal noon

Ashvo-Muñoz Alira

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209-217
American walk

Hopsch Lena

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219-225
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227-252
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253-261
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265-274
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275-289
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291-295
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297-308
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311-319
Three cosmic poets

Afejuku Tony

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321-333
A short study of "Jisei" (swan songs)

Ogawa Tadashi, Ogawa Kiyoko

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335-343
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345-350
Hegel and "The sea of ice"

Svedlow Andrew Jay

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351-359
Cosmic ruminations

Weiss Saundra Tara

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361-379

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