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- Series
- Analecta Husserliana
- Date
- 1991
- Publisher
- Kluwer
- Place
- Dordrecht
- Pages
- 365, x
- ISBN
- 9789401056748
Anna-Teresa Tymieniecka
Ingardeniana III
Roman Ingarden’s aesthetics in a new key and the independent approaches of others: the performing arts, the fine arts, and literature
Anna-Teresa Tymieniecka
vii-viii
ix-x
Foreword
Tymieniecka Anna-Teresa
3-62
A theory of drama and theatre
Smith Jadwiga
63-78
On the sign character of the representing stratum in a film as work of art
Osadnik Waclaw, Plesnar Lukasz
79-192
81-107
The temporal composition of the literary work of art and the reader's aesthetic temporality
Takei Yushiro
109-117
The mystery of time in Roman Ingarden's philosophy
Bielawka Maria
119-130
Thomas de Quincey and Roman Ingarden
Rzepka Charles
131-192
On translations
Ingarden Roman Witold
193-278
195-214
Grand passions of humble folk
Wittkowski Wolfgang
215-231
233-241
Erotic modes of discourse
Smith Danny
243-248
The man of genius as artist — suffering and world conscience
Crişan Constantin
249-258
259-268
The Agamemnon
Stewart Marilyn
269-278
Narrative time as interpretation of human existence
Charney Hanna
279-357
281-293
Le langage de la création esthétique dans la phénoménologie
Sancipriano Mario
295-319
Unity in vedic aesthetics
Haney Ii William
321-333
An approach to the structure of the Japanese elegy
Kanata Susumu
335-348
Fantastic phenomonology
Hull Richard
349-355
Philosophic filaments in literature in English
Morgan Peter
357-361
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