AESTHETICS, which give no unified perceptual experiences. In this chapter, we argue that aesthetics (like other abstract conceptual representations) can be accommodated by an embodied theory that uses two classes of perceptual information (sensorimotor and affective) to explain art representation, production, and evaluation." /> Art that moves - Eskine Kendall J.; Kozbelt Aaron | sdvig press

Art that moves

exploring the embodied basis of art representation, production, and evaluation

Kendall J. Eskine , Aaron Kozbelt

pp. 157-173

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