2 Poets, Heidegger says, don't talk like the rest of us either. They don't talk in parables, but in new tongues, new languages, in new vocabularies, more like the oracles of the gods. Van Gogh's famous painting of a peasant's shoes may have let us see the shoes more fully, but poets do more: they "disclose" the world. The poet, Heidegger claims, "lets truth itself originate."' Psychoanalysts, Lacan tells us, do not simply uncover biological memories or chronological facts. They do not even discover psychological realities as such. Rather, "in psychoanalytic anamnesis, it is not a question of reality, but of truth, because the effect of full speech is to reorder past contingencies by conferring on them the sense of necessities to come, such as they are constituted by the little freedom through which the subject makes them present."⁴ In this essay, I want to explore the possible relation of the Lacanian notion of "full speech" to Heidegger's notion of truth as disclosure. I would also like to show why "empty speech" destroys this "little freedom" and why full speech depends on it. To do so, however, requires going beyond both Heideggerian and Lacanian notions of linguistic communication and of freedom. What I want to emphasize is the transformative effect of full speech that is absent in empty speech, an effect that can be on both the individual-biographical and the social-cultural levels." /> On empty and full speech - Bohman James | sdvig press