The theory of the novel. Second, in order to carry out this reassessment, it examines the place of Hegelian aesthetics in Lukács's theorization of realism in the 1930s criticism, in relation both to contemporary Soviet writings on the subject and to his own earlier, ostensibly Hegelian work. I argue that, at least in terms of the place of art in the historical dialectic, the later work is more consistent with Hegelian philosophy than The theory of the novel." /> On the hegelian roots of Lukács's theory of realism - Shneyder Vadim | sdvig press