Act Without Words I), a Heideggerian "thrownness'. The chapter further touches upon many of the key phenomenological tropes that are highlighted early and often in the book, especially a desire to be precise and rigorous in terms of articulating what phenomenology is and what it does, specifically with respect to the study of theatre and performance." /> Acting without "meaning' or "motivation" - Zarrilli Phillip B. | sdvig press

Acting without "meaning' or "motivation"

a first-person account of acting in the pre-articulate world of immediate lived/living experience

Phillip B. Zarrilli

pp. 287-309

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