1 Serres places his own work under the sign of a different deity, Hermes, and devotes five volumes to his celebration, the first of which (1968) concludes with an opposition of the two gods — respectively, "the father of Tragedy" and "the father of Comedy"2 — which sets Serres programmatically at odds with "Nietzsche's French Moment."3" /> Hermes contra Dionysus - Large Duncan | sdvig press

Hermes contra Dionysus

Michel Serres's critique of Nietzsche

Duncan Large

pp. 151-159

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