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- Series
- Lecture Notes in Computer Science
- Date
- 2014
- Publisher
- Springer
- Place
- Dordrecht
- Pages
- 658
- ISBN
- 978-3-319-12975-4
Mitsuko Aramaki
Olivier Derrien
Richard Kronland-Martinet
Sølvi Ystad
Sound, music, and motion
10th international symposium, CMMR 2013, Marseille, France, October 15-18, 2013. revised selected papers
Mitsuko Aramaki , Olivier Derrien, Richard Kronland-Martinet, Sølvi Ystad
This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Symposium on Computer Music Modeling and Retrieval, CMMR 2013, held in Marseille, France, in October 2013. The 38 conference papers presented were carefully reviewed and selected from 94 submissions. The chapters reflect the interdisciplinary nature of this conference with following topics: augmented musical instruments and gesture recognition, music and emotions: representation, recognition, and audience/performers studies, the art of sonification, when auditory cues shape human sensorimotor performance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematicalmodeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology.
3-19
Investigation of the harpist/harp interaction
Chadefaux Delphine; Le Carrou Jean-Loïc; Fabre Benoît; Daudet Laurent
20-40
Sonically augmented artifacts
Houix Olivier; Misdariis Nicolas; Susini Patrick; Bevilacqua Frédéric; Gutierrez Florestan
41-57
Vibrotactile feedback for an open air music controller
Knutzen Håkon; Kvifte Tellef; Wanderley Marcelo M.
58-71
Automatic classification of guitar playing modes
Foulon Raphael; Roy Pierre; Pachet François
72-85
Extracting commands from gestures
Tang Jiuqiang; Dannenberg Roger B.
89-104
Making explicit the formalism underlying evaluation in music information retrieval research
Sturm Bob L.
105-121
On the perception of affect in the singing voice
Mouawad Pauline; Desainte-Catherine Myriam; Gégout-Petit Anne; Semal Catherine
122-147
Novel methods in facilitating audience and performer interaction using the mood conductor framework
Fazekas György; Barthet Mathieu; Sandler Mark
151-160
Making data sing
Parkinson Adam; Tanaka Atau
161-174
Seismic sound lab
Holtzman Benjamin; Candler Jason; Turk Matthew; Peter Daniel
175-189
Music with unconventional computing
Braund Edward; Miranda Eduardo
193-203
Intensity shaping in sustained notes encodes metrical cues for synchronization in ensemble performance
Vera Bogdan; Chew Elaine
204-217
Moving with beats and loops
Craig Cathy M.
218-233
Learning movement kinematics with a targeted sound
Boyer Eric O.; Pyanet Quentin; Hanneton Sylvain; Bevilacqua Frédéric
234-245
Audio-motor synchronization
Thoret Etienne; Aramaki Mitsuko; Ystad Sølvi
246-255
Movement sonification for the diagnosis and the rehabilitation of graphomotor disorders
Danna Jérémy; Paz-Villagrán Vietminh; Capel Annabelle; Pétroz Céline; Gondre Charles; Pinto Serge; Thoret Etienne; Aramaki Mitsuko; Ystad Sølvi
259-276
Midifind
Xia Guangyu; Huang Tongbo; Ma Yifei; Dannenberg Roger B.
277-297
Finding repeated patterns in music
Janssen Berit; de Haas W. Bas; Volk Anja; van Kranenburg Peter
298-312
Fragmentations with pitch, rhythm and parallelism constraints for variation matching
Giraud Mathieu; Déguernel Ken; Cambouropoulos Emilios
313-329
Predicting agreement and disagreement in the perception of tempo
Peeters Geoffroy; Marchand Ugo
333-345
Music
Risset Jean-Claude
346-371
A virtual reality platform for musical creation
Leonard James; Cadoz Claude; Castagne Nicolas; Florens Jean-Loup; Luciani Annie
372-392
Interactive sound texture synthesis through semi-automatic user annotations
Schwarz Diemo; Caramiaux Baptiste
393-415
Intonaspacio
Rodrigues Mailis G.; Wanderley Marcelo M.; Lopes Paulo F
419-442
The large time-frequency analysis toolbox 2.0
Průša Zdeněk; Søndergaard Peter L.; Holighaus Nicki; Wiesmeyr Christoph; Balazs Peter
443-462
Sparse Gabor multiplier estimation for identification of sound objects in texture sound
Dörfler Monika; Matusiak Ewa
463-480
Waveform-aligned adaptive windows for spectral component tracking and noise rejection
Zhao Yang; Gerhard David
483-493
Sound and gesture
Deshays Daniel
494-508
Changing the interval content of algorithmically generated music changes the emotional interpretation of visual images
Bravo Fernando
509-517
The perception of sound movements as expressive gestures
de Götzen Amalia; Sikström Erik; Korsgaard Dannie; Serafin Stefania
518-532
535-547
Understanding coarticulation in musical experience
Inge Godøy Rolf
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