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11-61
What is film phenomenology?
Ferencz-Flatz Christian; Hanich Julian
63-90
"Rhe active eye" (revisited)
Sobchack Vivian
91-109
Kamera und Leib
Sepp Hans Rainer
111-133
135-162
Le plan subjectif réversible
Dalmasso Anna Caterina
163-183
The cinematic point of view
Raviv Orna
185-214
Roman Ingarden et le cinéma
Malherbe Olivier
215-240
241-268
Le problème de l'identification filmique reconsidéré
Meunier Jean-Pierre
269–293
Husserl and cinematographic depictive images
Mion Regina-Nino
295-324
Cinema consciousness
Rozzoni Claudio
325-342
343-372
Cinematic signs and the phenomenology of time
Shores Corry
373-408
Haunted phenomenology and synesthetic cinema
Barker Jennifer M.
409-438
How it feels
Shilina-Conte Tanya
439-465
Experiential realism and motion pictures
Stadler Jane
469-487
Circulus vitiosus deus
Chouraqui Frank
489-518
Chōra in Heidegger and Nishida
Krummel John
519-550
551-588
Affectivité et imaginaire chez Merleau-Ponty
Lapierre Christopher
591-594
Kraft der Dinge
Diaconu Mădălina
594-598
Making sense of Heidegger
Ionel Lucian
598-602
602-607
Aesthetics and the embodied mind
Maftei Ştefan-Sebastian
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